Headstrong Artists Sprout from the Desert: A Conversation with Curator Mayté Miranda on the Mexicali Art Week

Interview

Headstrong Artists Sprout from the Desert: A Conversation with Curator Mayté Miranda on the Mexicali Art Week

by Josephine Dorr

->

Reading time

10 min

I had barely landed when the Semana del Arte Mexicali team invited me to try the city's signature cuisine: Chinese food. Seated with nearly twenty others—among them guests of the talks and workshops program, including writer Chris Kraus, artists Abraham Cruzvillegas and Ingrid Hernández, and curator Marielsa Castro—we tried to catch the dishes spinning quickly on a Lazy Susan at the center of the round table.

                 continue reading

When Does a Work of Art End? No-Objetualismos at Museo Universitario del Chopo

Review

When Does a Work of Art End? No-Objetualismos at Museo Universitario del Chopo

by Carolina Magis Weinberg

->

Reading time

10 min

To move through the exhibition No-Objetualismos. Hacia un pensamiento visual independiente at Museo Universitario del Chopo is to discover a new world. It is a journey to a Latin America in the nineteen-seventies and eighties, a time when art seemed to be in a state of ebullition, bubbling up everywhere with a refreshing lucidity. The exhibition's main angle is to explore no-objetualismos through the multiple facets and approaches in each country, as well as the referents and agents of art, from both theory and practice. Originally presented at the Museo de Arte Moderno de Medellín, the show is updated and enriched in Mexico with local context through a dialogue between the exhibition's original curator in Colombia, Jorge Lopera, and curator Miguel A. López of Museo Universitario del Chopo.

                 continue reading

Pain, Materiality, and Bodies in "¿Cómo salimos?" by Teresa Margolles at Museo de Arte Contemporáneo de Monterrey

Review

Pain, Materiality, and Bodies in "¿Cómo salimos?" by Teresa Margolles at Museo de Arte Contemporáneo de Monterrey

by Zara Almazán

->

Reading time

5 min

The Museo de Arte Contemporáneo de Monterrey (MARCO) presents ¿Cómo salimos?, the first major survey of Teresa Margolles’s career in the Americas. The exhibition brings together more than two decades of artistic practice that reveals the body, absence, and death as affective cartographies of violence. Through an anthropological and geographical mapping of emotions, politics, bonds, and relationships to violence, it renders visible realities, intimacies, and identities.

                 continue reading

Attention Fixed on Mutation: On “Deseos Diferentes” at Museo Cabañas

Review

Attention Fixed on Mutation: On “Deseos Diferentes” at Museo Cabañas

by Alejandra Arreola

->

Reading time

6 min

The group exhibition Deseos Diferentes, curated by Dorothée Dupuis, brings together ten artists who were born in or currently live in Mexico: Claribel Calderius, Nicole Chaput, Débora Delmar, Elsa-Louise Manceaux, Melanie McLain, Adeline de Monseignat, Sofía Moreno, Berenice Olmedo, Athenea Papacostas, and Paloma Rosenzweig. The exhibition affirms that feminisms expand horizons and foster new ways of conceiving body, language, and world, while opening pathways toward desires yet to come.

                 continue reading

Interview with Patricia Conde: Photography as a Medium for Storytelling

Interview

Apr 8 2026

Interview with Patricia Conde: Photography as a Medium for Storytelling

by Josephine Dorr

Aurora Pellizzi at La Tallera: Constant Surprise

Review

Mar 26 2026

Aurora Pellizzi at La Tallera: Constant Surprise

by María Olivera Monroy

Another Breath Inhabits the Air. Interview with Tania Pérez Córdova on "El aire, hoy" at Travesía Cuatro

Interview

Mar 18 2026

Another Breath Inhabits the Air. Interview with Tania Pérez Córdova on "El aire, hoy" at Travesía Cuatro

by Jimena Cervantes

On Theatrical Spatiality in “Drama mexicano” by Yvonne Venegas at Lateral

Review

Mar 11 2026

On Theatrical Spatiality in “Drama mexicano” by Yvonne Venegas at Lateral

by Mariel Vela

Alloy–Contradiction. On "Withdrawal" by Tomás Díaz Cedeño at PEANA

Review

Mar 3 2026

Alloy–Contradiction. On "Withdrawal" by Tomás Díaz Cedeño at PEANA

by Bruno Enciso

Interview with Tino Sehgal at EstaciónMAZ: The Passage as Useless Expenditure

Interview

Feb 25 2026

Interview with Tino Sehgal at EstaciónMAZ: The Passage as Useless Expenditure

by Sandra Sánchez

Controlled Aggression: On "Good Boy" by Eyibra

Review

Feb 17 2026

Controlled Aggression: On "Good Boy" by Eyibra

by Stefanía Acevedo

The Arts of Monoculture and Care in Art: "Espacio vientre" by Delcy Morelos at the MUAC

Essay

Feb 8 2026

The Arts of Monoculture and Care in Art: "Espacio vientre" by Delcy Morelos at the MUAC

by José Imanol Basurto Lucio

Guess Who. On "Broken Column" at the Museo de la Ciudad de México

Review

Jan 31 2026

Guess Who. On "Broken Column" at the Museo de la Ciudad de México

by Constanza Dozal

y que le digo y que me dice: How Do You Edit an Art Text? Summary of Our Talk #4

Article

Jan 23 2026

y que le digo y que me dice: How Do You Edit an Art Text? Summary of Our Talk #4

by Sandra Sánchez & Josephine Dorr

Toward a Mutable Biennial: A System of Visibility That Does Not Depend on a Single Milestone, but on Multiple Resonances

Essay

Jan 16 2026

Toward a Mutable Biennial: A System of Visibility That Does Not Depend on a Single Milestone, but on Multiple Resonances

by Luis Hampshire

The Sacred Wonder: “Trece Lunas” by Chelsea Culprit at Plataforma

Review

Jan 10 2026

The Sacred Wonder: “Trece Lunas” by Chelsea Culprit at Plataforma

by Maya Renée Escárcega

The Persistence of Fascism: On "Estética del dominio" at the Museo Anahuacalli

Review

Jan 4 2026

The Persistence of Fascism: On "Estética del dominio" at the Museo Anahuacalli

by M.S. Yániz

Medium, Voice, Interface… Relation. On “Notas de voz” by Elsa-Louise Manceaux at Museo Jumex

Review

Dec 30 2025

Medium, Voice, Interface… Relation. On “Notas de voz” by Elsa-Louise Manceaux at Museo Jumex

by Mariel Vela

"War Won’t Work": a Deactivated Utopia. C.S. Valentin at AGO Projects

Review

Dec 19 2025

"War Won’t Work": a Deactivated Utopia. C.S. Valentin at AGO Projects

by Lia Quezada

Labyrinth / Disco Ball. On Manuela Solano’s "Alien Queen/Paraíso Extraño" at the Museo Tamayo

Review

Dec 13 2025

Labyrinth / Disco Ball. On Manuela Solano’s "Alien Queen/Paraíso Extraño" at the Museo Tamayo

by Bruno Enciso