Sandra Sánchez

Sandra Sánchez

Sandra Sánchez is an artist, curator, writer, and editor.

Her work is grounded in the practical possibilities of art, collaboration, and listening, in order to critically disrupt the sensitive logics of neoliberalism. She is part of El Cuarto de los Ojos Sucios (a performative space dedicated to the mediation, exhibition, and reflection on contemporary painting), as well as research groups such as the publishing house Máquina Simple and Ambient para Leer.

She is the editor of the Onda MX magazine and professor at La Esmeralda. She practices psychoanalytic listening.

Textos

Interview with Tino Sehgal at EstaciónMAZ: The Passage as Useless Expenditure
y que le digo y que me dice: How Do You Edit an Art Text? Summary of Our Talk #4
y que le digo y que me dice: Future Archaeology and Neo-Prehistory. Summary of our 3rd talk
y que le digo y que me dice: Bodies in Resistance. Summary of our 2nd talk
Eleven Years of Painting in Mexico City at Galería Karen Huber
y que le digo y que me dice: Materialities, Their Assemblages and Narratives. Summary of Our First Talk
Thirst for Radical Imagination: Julieta Aranda at the MUAC
Onda MX + Trámite Buró de Coleccionistas Diffusion Prize: Prisciliano
Estudio Acme and Estación Material Vol.3: On Frontal Forms and Certain Escapes that Break Global Mannerism
The Sensuality of MUXX: Forces, Bodies, Techniques in LAA
Millennial Horror. Ragnar Kjartansson at Museo Tamayo
Listening is relational. Lawrence Abu Hamdan at MUAC
The museum as a suitcase: Pablo Helguera at Galería Enrique Guerrero
Arte de zorras at General Expenses
Siempreviva: A Feel before a Concept. Alan Hernández opens Resquicio at Casa del Lago
Dear Carolina: A Correspondence Around Clepsidra
We Are the World of Those Gestures: On 'Atlas Western' by Chantal Peñalosa
Taking Your Eye Out and Putting It Back In, Listening: Interview with Angélica Piedrahita
Serpents, Eyes, and What Insists. Ileana Moreno's Kowatl
From Books to the Walls and Back: Verónica Gerber Bicecci at Proyectos Monclova
Today: An Assembly of Times and Spaces at Nordenhake’s New Venue
Pigments of the Screen: Leo Marz at Pequod Co.
The Bodies of María Conejo
From the Intimate to the Social: Local Women Illustrators
The Material Life of the Photograph: Joan Fontcuberta
Ana Segovia’s La Faena | A Blood Rose for Him
Malas Madres : Consequently, An Enigma | Chelsea Culprit
Un pan no es una selva peligrosa, pero se asemeja a un jardín | Presencia Lúcida