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© 2018-2026

    M.S. Yániz

    M.S. Yániz

    M.S. Yániz is a critic and speculative curator. His lines of research lie in the tensions between the economic performance of aesthetics, the circulation of commodities, literary procedures, the libido of capitalism, and narrated experience. He currently serves as Curatorial Coordinator at MUAC.

    He completed a graduate degree in Art History at UNAM-IIE and a specialization in Art and Curatorship at The New Centre for Research and Practice. He has curated exhibitions in various museums, independent spaces, and galleries.

    He published the study of Hector Dorantes' book 95 Theses on Post-Speculative Art in 2024 and translated Mark Fisher's unpublished book Acid Communism, published by Herring Publisher with illustrations by Diana Cantarey in 2020. He contributed to the catalog of the exhibition Todos me amarán, arte de México hoy at Casa de México in Spain. He writes for various magazines such as Onda MX, .333, Nexos, Cubo Blanco, Terremoto Contemporary Art in the Americas, triple Ampersand Journal (&&&), Chiquilla te quiero, Revista Sentimental de Amigas íntimas, Tierra Adentro, among others.

    Textos

    The Persistence of Fascism: On "Estética del dominio" at the Museo Anahuacalli

    Review

    Jan 4 2026

    The Persistence of Fascism: On "Estética del dominio" at the Museo Anahuacalli

    by M.S. Yániz

    Entropy and Friendship: Luis Muñoz’s Curatorship in ‘Fruit of the Doom’

    Review

    Sep 14 2025

    Entropy and Friendship: Luis Muñoz’s Curatorship in ‘Fruit of the Doom’

    by M.S. Yániz

    Your Luxury Refuge, Your Colonial Experience. Mallorca and Acapulco at the CENART

    Review

    Jul 21 2025

    Your Luxury Refuge, Your Colonial Experience. Mallorca and Acapulco at the CENART

    by M.S. Yániz

    Dust of Late Capitalism and Final Judgment Jewelry: Cristóbal Gracia at Pequod Co.

    Review

    Mar 13 2025

    Dust of Late Capitalism and Final Judgment Jewelry: Cristóbal Gracia at Pequod Co.

    by M.S. Yániz

    I didn’t know air had references: A dialogue with Ana Sofía Esteva

    Interview

    Jan 17 2025

    I didn’t know air had references: A dialogue with Ana Sofía Esteva

    by M.S. Yániz

    Do Bootleg Commodities Dream of Contemporary Art? On the ‘Recurseo’ of Jimena Chávez Delion

    Review

    Nov 7 2024

    Do Bootleg Commodities Dream of Contemporary Art? On the ‘Recurseo’ of Jimena Chávez Delion

    by M.S. Yániz

    Voices of the ghost inhabiting the landscape: Paloma Contreras Lomas at Pequod Co.

    Review

    Dec 17 2023

    Voices of the ghost inhabiting the landscape: Paloma Contreras Lomas at Pequod Co.

    by M.S. Yániz

    Oswaldo Ruiz's Valences: Speculative Healing and Critique of Extractivism

    Review

    Aug 12 2023

    Oswaldo Ruiz's Valences: Speculative Healing and Critique of Extractivism

    by M.S. Yániz

    Form and (Ab)use of the Sea: Octavio Gómez Rivero at Unión

    Review

    Mar 3 2023

    Form and (Ab)use of the Sea: Octavio Gómez Rivero at Unión

    by M.S. Yániz

    Healing with Matter and Signs: María Sosa at Llano

    Review

    Nov 23 2022

    Healing with Matter and Signs: María Sosa at Llano

    by M.S. Yániz

    Geoaesthetic Timelessness: Desert and Design in Miriam Salado’s Bestial

    Review

    Oct 5 2022

    Geoaesthetic Timelessness: Desert and Design in Miriam Salado’s Bestial

    by M.S. Yániz

    Between The Ghost and Vibrating Matter: On 'The Zone, Chernobyl' by Raúl Ortega Ayala

    Review

    Aug 5 2022

    Between The Ghost and Vibrating Matter: On 'The Zone, Chernobyl' by Raúl Ortega Ayala

    by M.S. Yániz