Review
Four Hand Poem. Héctor Jiménez Castillo and Edgar Cobián at Tiro al Blanco
by Alan Sierrra
Reading time
4 min
At the Tiro al Blanco Gallery, Héctor Jiménez Castillo and Edgar Cobián have crafted an exhibition where images breathe, unfold, and engage in dialogue. Me saco las pestañas [I Pull Out My Eyelashes], the title of this joint show, functions as a laboratory in which each added piece challenges the next, generating a history of gestures within the space and proposing a transformation of the original ideas. This project is not merely a formal exploration but a questioning of the boundaries between the personal, the authorial, and the collaborative.
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Interview
Overflowing Body, Place in the World: An Interview with Valentina Attolini
by Lia Quezada
Reading time
5 min
I walk through Narvarte to meet Valentina at her studio, but find her at the corner, buying coffee and an apple braid. It's a November Thursday, and she's wearing a pink wool skirt. Once inside, she lights a cigarette, using a seashell as an ashtray.
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Review
Closer Than They Appear: "Una rosa en la oscuridad" by Pilar Córdoba Longar at CROMA
by Guillermo Boehler
Reading time
5 min
David Bowie's "Deranged" plays as you enter the small exhibition room at CROMA, where Pilar Córdoba Longar’s five-piece collection, Una rosa en la oscuridad [A Rose in the Dark], is on display. Her recent work features elements alluding to automotive and highway themes, presented in cross-stitch embroidery, gridded fabrics, chrome license plate frames, black bases, and bright green lines. As I continue to gaze at the black fabric of the embroideries in Una rosa en la oscuridad, No paramos de matarnos and Alejas [A Rose in the Dark, We Never Stop Killing Ourselves, and You Drift Away], I am engulfed by a cyclical sense of confusion, memory, and phantom-like imagery, reminiscent of the greasy hands on a yellow silk dress from Lost Highway (Lynch, D. 1997). I feel the presence of the highway, as in the film’s opening and closing sequences, where night merges sky and asphalt. Yet there is also softness—the tension of fabric against the sharp chrome frame—recalling childhood memories of sitting in the foam-filled, fabric-upholstered backseat of a family car. There’s something here beyond the toxic masculinity of a Lynchian leather interior. The piece El lugar en mi mente que todavía no es memoria [The Place in My Mind That Hasn’t Yet Become Memory] condenses this feeling in its title: the liminal space between ‘now’ and ‘what was,’* the tension in which we exist.
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Interview
Onda MX + Trámite Buró de Coleccionistas Diffusion Prize: Prisciliano
by Sandra Sánchez & Josephine Dorr
Reading time
7 min
From October 10 to 20, 2024, the 008 edition of Trámite Buró de Coleccionistas took place in Querétaro, focusing on the theme Desire. Affective Movements. Onda MX partnered with the platform to select an artist and promote their work through an interview. Josephine Dorr (founder and director) and Sandra Sánchez (editor of the magazine) chose the work of Prisciliano, who presented LA SUERTE ESTÁ ECHADA, a cement and graphite surface featuring the drawing of a mosquito and the phrase “perdóname” [forgive me]. Both agreed that the work holds an enigma—highlighted by the presence of the mosquito—within a straightforward phrase that resonates differently with each viewer. This dual relationship, between literalness and indeterminacy, made Prisciliano the winner of the diffusion prize.
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Review
November 17 2024
Wendy Cabrera Rubio: La señorita Eugenesia y otros cuentos at General Expenses
by Julián Madero Islas
Review
November 7 2024
Do Bootleg Commodities Dream of Contemporary Art? On the ‘Recurseo’ of Jimena Chávez Delion
by M.S. Yániz
Review
October 31 2024
Doing and Continuing to Do: On 'Despliegue Iztaccíhuatl' by Michelle Sáenz Burrola
by Lia Quezada
Review
October 22 2024
Calyx Imaginalis: Vica Pacheco at Peana
by Verana Codina
Review
October 18 2024
Cracking a Closed Object and Opening the Body of a Tree: Miguel Cinta Robles at N.A.S.A.L.
by Mariana Paniagua
Essay
October 13 2024
Estudio Acme and Estación Material Vol.3: On Frontal Forms and Certain Escapes that Break Global Mannerism
by Sandra Sánchez
Review
October 4 2024
Epistemologies of the Desert and Ontological Machines in Hipofrontalidad transitoria by Interspecifics
by Maya Renée Escárcega
Review
September 30 2024
Aesthetics of the Flexible Contract: On the Work of Colectivo Estética Unisex in ‘Nuevo León: El futuro no está escrito’
by Christian Camacho
Review
September 21 2024
Marlene's Kiss. On "Retratos de una escena incompleta" by Fabiola Torres-Alzaga at La Nao
by Mariel Vela
Interview
September 14 2024
That Curatorial Maelstrom: A Conversation with Tania Ragasol
by Carolina Magis Weinberg
Essay
September 7 2024
This smoke is the sign of water dissolving in fire. About 'Innumerable Fires' by Yeni Mao
by Julián Madero Islas
Review
August 29 2024
The Digestion of Earth Has Been Interrupted: On 'HEDOR' by Naomi Rincón Gallardo at Plataforma
by Paulina Ascencio Fuentes
Review
August 22 2024
To Alternate Color and Silence: On 'is anybody here?' by Manuel Forte at Karen Huber Gallery
by Bruno Enciso
Review
August 14 2024
On Yellow Transitions: About 'Dos Incisivos' by Ulrik López Medel at the Anahuacalli
by Jimena Cervantes
Interview
August 4 2024
A Struggle for Life: Interview with Carolina Caycedo and Sofía Bastidas Vivar (Ruta del Castor)
by Sofía Ortiz
Review
July 27 2024
In the House of Sky, Earth, and Serpents: Marina Láscaris and Pablo de Laborde Lascaris
by Ana Cadena
Review
July 20 2024
The Sensuality of MUXX: Forces, Bodies, Techniques in LAA
by Sandra Sánchez
Review
July 14 2024
Poles “a” and “b” in ‘Dibújame un mapa de lo que no verás’ at Casa del Lago UNAM
by Sofía Gómez Luna
Review
July 6 2024
Eggs, Clouds, and Scars: About 'Sentimientos Queloides' organized by Yope Projects at Galería Campeche
by Mariel Vela
Interview
June 30 2024
Minutes on Time (Seen from 'Fuera de Lugar') | Interview with Marco Valtierra
by Maya Renée Escárcega
Review
June 21 2024
Ocaso Tropical. Rafael Uriegas at the Galería de Arte Mexicano
by Julián Madero Islas
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Interview
June 14 2024
Ritmos y fugas: dancing the street as a form of resistance. Interview with Federico Martínez Montoya
by Aurora Marie Leyva
Review
June 5 2024
On stealth in 'No se hace el silencio' by Israel Martínez at Espacio Morelos
by Maya Renée Escárcega
Review
May 30 2024
Sacred Fruit, Profane Flower: Kora Moya Rojo at Daniela Elbahara
by Fernanda Ballesteros
Review
May 25 2024
Deep-rooted aguacal*: 'Notes from the Underground' by Lorena Ancona at LLANO
by Mariana Paniagua
Essay
May 18 2024
Correspondence 'On diplopia and other forms of seeing' by Marek Wolfryd
by El Cuarto de los ojos Sucios
Review
May 12 2024
Paola Dávila: in the Water-Sky there is not only blue
by Guillermo Boehler
Review
May 4 2024
The Last Laugh. Brittany Shepherd at Deli Gallery
by Verana Codina
Review
April 27 2024
The Salt Remains from Another Era. On 'Under the Volcano' by John Isaacs at Travesia Cuatro
by Bruno Enciso
Review
April 17 2024
Imagining the End of Times: Tales of Annihilation, Apocalypse, and Extinction
by Mariana Lagunes
Review
April 13 2024
Temporeros*, day laborers, graffiti artists: what photos would you take in the endless city? Gibrán Turón at Proyectos Monclova
by Verana Codina
![My home is a frenzy, I am very emotional and on top of that, I write. On 'Casa Ideal' [Ideal Home]](https://firebasestorage.googleapis.com/v0/b/prod-ondamx-art.appspot.com/o/media%2F1712264116489-1.jpg?alt=media&token=86e4194b-20c0-40e7-a0e4-79c76dbb4aaf)
Review
April 6 2024
My home is a frenzy, I am very emotional and on top of that, I write. On 'Casa Ideal' [Ideal Home]
by Nico Barraza
Review
March 29 2024
Anatomy of Hunger. Jorge de León at the Zarur Collection
by Gabriel Sánchez-Mejorada
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Review
March 23 2024
Dance with me, little bug. On "Passion and Ornamental Crisis" by Samuel Nicolle
by Bruno Enciso
Review
March 13 2024
'The Future Will be Different'. Mario Garcia Torres and Ryan Gander at FF Projects
by Ana Cadena Payton
Review
March 6 2024
'Uber: Let me in'. Frieda Toranzo Jaeger at Travesía Cuatro
by Julián Madero Islas
Review
March 2 2024
Fabiola Menchelli: Folding Light
by Carolina Magis Weinberg
Review
February 24 2024
Millennial Horror. Ragnar Kjartansson at Museo Tamayo
by Sandra Sánchez
Review
February 17 2024
Why is it so heavy to carry the South?: 'With the South on my back' by Naufus Ramírez-Figueroa
by Guillermo Boehler
Interview
February 10 2024
Paderón: Abraham González Pacheco about his exhibition at Campeche
by Eric Valencia García
Review
February 4 2024
cyber(☁️)punk: About (be water) in 'Aguas verdaderas' by Federico Pérez Villoro
by Maya Renée Escárcega
Review
January 28 2024
Listening is relational. Lawrence Abu Hamdan at MUAC
by Sandra Sánchez
Review
January 19 2024
Echo. Tania Ximena at Ex-Teresa Arte Actual
by Mariana Paniagua
Essay
January 11 2024
Urmeer, "De ti, hace 2000 años”
by Jimena Cervantes
Review
January 7 2024
Damián Ortega: A Walk Through Picks and Corn
by Ana Cadena Payton
Article
December 30 2023
I remember: 2023 by the writers of Onda MX
by Cristina Torres
Interview
December 23 2023
Not dying until justice is found. Interview with Jenny Granado
by Sofía Ortiz
Review
December 17 2023
Voices of the ghost inhabiting the landscape: Paloma Contreras Lomas at Pequod Co.
by M.S. Yániz
Review
December 9 2023
'Invisible Threads Are The Strongest Ties' by Ayana V. Jackson at Mariane Ibrahim
by Mariel Vela
Review
December 2 2023
Neo Noir. Raúl Rebolledo at Proyecto Caimán
by Lorena Peña Brito
Review
November 24 2023
The Impossibility of Reconstructing the Lived Experience into a Rational Whole: On Carla Rippey and Agustín González at Arróniz Gallery
by Nico Barraza
Review
November 19 2023
Evidence of a Suspicion: On Dulce Chacón’s Paleontología Sideral at Banda Municipal
by Jimena Cervantes
Review
November 10 2023
To Remain Bluish: On Othiana Roffiel's 'Rehearsal of Becoming' at Karen Huber Gallery
by Bruno Enciso
Article
November 5 2023
Short trip to the Northwest
by Daril Fortis & Abraham Palafox
Essay
October 27 2023
The museum as a suitcase: Pablo Helguera at Galería Enrique Guerrero
by Sandra Sánchez
Interview
October 20 2023
Ghosts After the Catastrophe: Interview with Emiliano de Ezkauriatza
by Camila Izaguirre
Review
October 15 2023
Alejandro García Contreras at Saenger Gallery
by Renard
Review
October 6 2023
Stalking. 'Watch Yourself' by Robin F. Williams at Morán Morán
by Mariana Paniagua
Review
September 30 2023
Sofía Táboas: an intrigue hides in the garden
by Carolina Magis Weinberg
Review
September 23 2023
Bea Millón. Y los cántaros, cantan: A reflection on living in and off the territory
by Marisol Noble
Essay
September 17 2023
Sandra Calvo: Between "Copies of Abandonment," red lines and double absence
by Guillermo Boehler
Review
September 9 2023
'Sopa de Anguilas' by Juan Manuel Salas
by Andrea Linares
Review
September 2 2023
In Search of the Ether: Sofía Bassi + Elena del Rivero at Travesía Cuatro
by Verana Codina
Essay
August 24 2023
The Rules of the Game: Francis Alÿs at the MUAC
by Stefanía Acevedo
Review
August 19 2023
Isa Carrillo: Silent Introspection and Jung's Shadow in the Cabañas
by Alejandra Arreola
Review
August 12 2023
Oswaldo Ruiz's Valences: Speculative Healing and Critique of Extractivism
by M.S. Yániz
Essay
August 3 2023
Broken lines: a conversation with Kooperativa Rayenari, Silvia Mendirichaga and the diagonals of Luis Figueroa
by Christian Camacho
Article
July 31 2023
Cracking the Museums: 'Imaginaciones radicales' at the Museo de Arte Moderno
by fernanda ramos mena
Review
July 19 2023
At Half Light I Saw You Convalescing: On 'Inverse Sátiro Envy' by ASMA and Julio Ruelas at PEANA
by Bruno Enciso
Review
July 12 2023
The Real and the Imaginary, A Fictional Pact: 'Folies' by Eva Jospin
by Jimena Cervantes
Review
July 5 2023
A purely digital contemporary panoptism. Gabriel O'Shea at Hilario Galguera Gallery
by Nico Barraza
Review
June 28 2023
Andrea Martínez: The Folds of the Landscape
by Carolina Magis Weinberg
Review
June 22 2023
Materials Carry the Weight of Their Own Memories: Sabrina Herbosa Reyes at Aparador
by Mariel Vela
Review
June 14 2023
Match by Match. On 'Paradero' by Manuel García
by Alejandra Arreola
Review
May 31 2023
Narrative justice in marine tropes: 'Tank' by Andrew Roberts
by Paulina Félix Cunillé
Review
May 29 2023
Mina Squalli-Houssaïni at Lodos: i’m sorry for bugging you but
by Verana Codina
Review
May 20 2023
BAAANG! Hiram Constantino at Proyecto Caimán
by Ramiro Ávila
Review
May 14 2023
Difference and Indifference at the Edges of the Non-Human and the Work of Daniel Pérez Ríos
by Angélica Piedrahita
Review
May 4 2023
Mnemósine by José Eduardo Barajas at Proyectos Multipropósito
by Eric Valencia
Review
April 30 2023
Sheeted Skin: Alma Allen at Museo Anahuacalli
by Mariana Paniagua
Review
April 22 2023
Appetite for Control: Sofía Ortiz
by Fernanda Ballesteros
Essay
April 15 2023
'En el En Medio, under the peppertrees': Jorge Rosano Gamboa at la Nao
by Bruno Enciso
Article
April 6 2023
The Eye’s Bodies: Calixto Ramírez
by Renard
Review
March 30 2023
It started as a dream and ended up in my notebook… Natalia Berzunza at Momoroom
by Verana Codina
Review
March 24 2023
How much space does a dream need?: Christian Camacho at Sala GAM
by Julián Madero
Review
March 16 2023
Sweet Holograms: Luz Carabaño’s Exhibition 'sombras' at Lulu
by Mariel Vela
Review
March 12 2023
Registrations on the Body and Disturbances of the Soul
by Stefanía Acevedo
Review
March 3 2023
Form and (Ab)use of the Sea: Octavio Gómez Rivero at Unión
by M.S. Yániz
Review
February 26 2023
Raphael Montañez Ortíz: A Contextual retrospective
by Wendy Cabrera Rubio
Review
February 18 2023
A Gathering of Lilies in a Concrete Garden: Héctor Zamora
by Carolina Magis Weinberg
Review
February 12 2023
Castles: the Greigification of Architecture, Débora Delmar
by Verana Codina
Essay
February 4 2023
A Claim for the Hidden: Ana Paula Santana at Proyecto Arte
by Alejandra Arreola
Interview
January 30 2023
Love is Eerie: Interview with Mili Herrera
by Sofía Ortiz
Interview
January 19 2023
Love, Affects, and Revolution: An Interview with Dora García
by Verónica Guerrero Molina
Review
January 12 2023
Brushing the Tender Edges with Your Fingertips: Javier Barrios at Pequod Co.
by Adriana Flores
Review
January 5 2023
We Would Like to Answer Some Questions: colectivo marcelaygina 1997-2010
by Rocío Cárdenas Pacheco
Review
December 23 2022
A buzzing light. On Elfie Semotan: 'Color y Carne / Color and Flesh' in Campeche
by Mariel Vela
Review
December 19 2022
Memories of a Filmic Shadow at 'Limbo Óptico' by Daniel Monroy Cuevas
by Andrés Ardila
Review
December 10 2022
Arte de zorras at General Expenses
by Sandra Sánchez
Essay
December 1 2022
Letter to Caroline Montenat, curator of 'Operadores de Mutación'
by Lorena Peña Brito
Review
November 23 2022
Healing with Matter and Signs: María Sosa at Llano
by M.S. Yániz
Review
November 19 2022
I have never lived on the beach: On 'Temporada de Lluvias' by Roberto Gil de Montes
by Bruno Enciso
Essay
November 11 2022
Jou Morales at Residencia 797
by Luis Muñoz
Essay
November 6 2022
Siempreviva: A Feel before a Concept. Alan Hernández opens Resquicio at Casa del Lago
by Sandra Sánchez
Review
October 27 2022
I’m still alive, are you?: Sil Cerviño
by Verana Codina
Interview
October 22 2022
FAMA: the sensation of setting up an art fair. Sofía Ortiz interviews Salvador Jacobo, Tiziania Garza Galán and Federico Jordán
by Sofía Ortiz
Review
October 16 2022
Mired 'Landscapes' of Frustration: Ana Segovia, Mariel Vela, and Diego Vega Solorza
by Nicole Chaput
Review
October 5 2022
Geoaesthetic Timelessness: Desert and Design in Miriam Salado’s Bestial
by M.S. Yániz
Review
September 28 2022
Is this art? Or is it a digital jail? I’m not sure, but I know it’s creepy*. On Beth Frey
by Nicolas Barraza
Interview
September 25 2022
Echoes and Resonances: An Interview with Concepción Huerta
by Mariel Vela
Review
September 17 2022
A Wager on and Outside the Center: guadalajara90210 Opens a New Location
by Alejandra Carrillo
Review
September 7 2022
Stitches of an Invisible Body: Erick Meyenberg
by Antonia Alarcón
Essay
August 31 2022
Of Insightful Encounters and Audacious Synergies
by Verónica Guerrero Molina
Interview
August 28 2022
Rodrigo Hernández: Circular Conversation
by Carolina Magis Weinberg
Essay
August 21 2022
The Taste Buds in the Bags under Our Eyes: On the Work of Renard and the Writing-Drawing Spiral
by Christian Camacho
Review
August 12 2022
Thus Sprout Pearls and Peas: On Within by Kinke Kooi
by Bruno Enciso
Review
August 5 2022
Between The Ghost and Vibrating Matter: On 'The Zone, Chernobyl' by Raúl Ortega Ayala
by M.S. Yaniz
Essay
July 31 2022
Trauma, Play, and Discretion: On 'Rehabitar el silencio'
by Stefanía Acevedo
Essay
July 23 2022
Mom’s Kiss: Alonso Robles at Interior 2.1
by Alejandra Carrillo
Interview
July 14 2022
Land: An Interview with Kon Trubkovich
by Byron Davies & Julián Madero
Review
July 7 2022
Life to After-life and Reincarnated life:* On the Exhibition Selva Lunar (Lunar Jungle) at Biquini Wax EPS
by Mariel Vela
Review
June 30 2022
Post-Luddite Artifacts. On 'Cándida' by María José Karaman
by Stefanía Acevedo
Review
June 22 2022
Nada es suficiente (Nothing is Enough) by Carlos Lara
by Ana Cadena Payton
Review
June 17 2022
Time of the Others: The Summer that Never Was (Videos from the CIAC Collection)
by Antonia Alarcón
![Problemas en el paraíso [Trouble in Paradise]: Andrea Villalón at Machete](https://firebasestorage.googleapis.com/v0/b/prod-ondamx-art.appspot.com/o/media%2F1654725197524-3.jpg?alt=media&token=c932159c-d0c6-4cb0-8ed3-b1a5e6219f36)
Review
June 9 2022
Problemas en el paraíso [Trouble in Paradise]: Andrea Villalón at Machete
by Verana Codina
Review
June 3 2022
On 'Painting and Pharma' by Enrique López Llamas
by Isabel Sonderéguer
Review
May 26 2022
Fallen Like Snake Skin. Mauricio Limón at Pequod Co.
by Verana Codina
Review
May 18 2022
Joan Semmel: Recent Work at the gallery Morán Morán
by Eric Valencia
Review
May 12 2022
A Rock that When Turned Over is a Branch: On 'Frequent Visitors' by Milena Muzquiz
by Mayra Vineya
Review
May 5 2022
On "Simbiontes" by Fernando Zarur
by Julián Madero
Interview
April 30 2022
Keeping the Reds: Interview with Cosa Rapozo
by Mariel Vela
Interview
April 30 2022
Time of the Sculptural: Interview with Benjamín Torres
by Mariel Vela
Essay
April 21 2022
'Como renuncia a ser una flor lo que es hierba' (How What’s Grass Renounces Being a Flower) by Mariana Paniagua
by Roberto Carrillo
Essay
April 14 2022
Under the Clear Sky after the Rain: On Recent Work by Doble Trama
by Christian Camacho
Review
April 7 2022
Xuty: The Crocodile in Love
by Julián Madero
Interview
March 31 2022
The Instruction within the Construction: Interview with Andrea Bores
by Sofía Ortiz
Essay
March 24 2022
Writing the Unavoidable: 'Voz pública' by Dora Bartilotti
by Cristina Torres
Review
March 18 2022
Between Rituals, Effervescence, and Transiting to the Dérive. On "Metamorfosis ancestral"
by Marco Valtierra
Review
March 10 2022
Together but (Not) Apart. Bea Bonafini at LAAA
by Verana Codina
Essay
March 3 2022
Other Questions Appear When (Visual) Images Do: Alan Balthazar
by Alí Cotero
Review
February 24 2022
Leonor Antunes: the homemaker and her domain, part III
by Isabel de la Vega
Review
February 18 2022
Let Us Be Devourers of Art. "La delicia del objeto inmortal" by Gabriel Lengeling
by Yuriko Cortes-Salcedo
Review
February 13 2022
Unfamiliarity as Creative Power: Re/flujo(s) by Madeline Jiménez Santil and Nicole Chaput
by Isabel Sonderéguer
Review
February 4 2022
Aesthetic Material Available: Miguel Calderón at MARCO.
by Rubén Gutiérrez
Essay
January 29 2022
Excess, Pause: On "Juan José Gurrola: Todo está perdido"
by Fabiola Talavera
Article
January 22 2022
Dear Carolina: A Correspondence Around Clepsidra
by Sandra Sánchez
Essay
January 13 2022
Where the Mountains Crop the Sky: An Essay on 'Escucha profunda: prácticas desde el mundo al revés'
by Antonia Alarcón
Essay
January 6 2022
On 'Para Morelio'
by Rocío Cárdenas Pacheco
Review
December 28 2021
Potential Imaginaries of Neoprehistory: Ernesto Solana
by Nicolás Barraza
Review
December 18 2021
Todos los viernes pasamos por aquí, an exhibition by Julián Madero Islas
by Eric Valencia
Review
December 13 2021
Blessed Viscera: On Venus Atómica by Nicole Chaput
by Mariel Vela
Essay
December 4 2021
We Are the World of Those Gestures: On 'Atlas Western' by Chantal Peñalosa
by Sandra Sánchez
Essay
November 28 2021
Visions, Prisms, and Paradigms of the Interior: NFT Art in Mexico
by Erick González
Review
November 20 2021
(C)olors of Decay and Hints of Life: Maisie Cousins
by Stefanía Acevedo
Review
November 16 2021
On Amimetics, Cosmetics, and Possible Trances. About 'Un fenómeno imposible de prever'
by Diana Garza Islas
Interview
November 7 2021
The Subjects are Pretexts: Interview with Gonzalo García
by Sofía Ortiz
![Burying Your Feet in the Landscape [Enterrar los pies en el paisaje]](https://firebasestorage.googleapis.com/v0/b/prod-ondamx-art.appspot.com/o/media%2F1635424819852-sw.jpg?alt=media&token=42969651-b8f5-449a-a34b-3a509d99150c)
Review
October 30 2021
Burying Your Feet in the Landscape [Enterrar los pies en el paisaje]
by Claudia Cisneros
Review
October 23 2021
The Spiritual Life of Things: On "Aura significa soplo" by Ana Navas
by Mariel Vela
![And Suddenly…A Show! On Teoría de la Generación Espontánea [Spontaneous Generation Theory] at SOMA](https://firebasestorage.googleapis.com/v0/b/prod-ondamx-art.appspot.com/o/media%2F1634350009337-1.jpg?alt=media&token=1516b2cd-f10c-4d64-8c53-8b2ff0720e51)
Review
October 16 2021
And Suddenly…A Show! On Teoría de la Generación Espontánea [Spontaneous Generation Theory] at SOMA
by Bruno Enciso
Essay
October 7 2021
Activating from Rest and Resting from Activation
by Verana Codina
Essay
October 4 2021
The Ion-Ara-Macao: On the Work of Luis Figueroa
by Christian Camacho
Review
September 25 2021
Troika at OMR: To See a World Through a Grain of Salt
by Isabel de la Vega
Review
September 18 2021
Pausing a Tremor: TRIPZITTER by Fabien Ramírez
by Bruno Enciso
Interview
September 11 2021
Meditative Psychedelia! Sublime Hallucinations! Contained Chaos! On Melanie Smith at Proyecto Paralelo
by Nicolás Barraza
![Penumbra en mi memoria [Shadows in My Memory]: Alicia Ayanegui at Siembra](https://firebasestorage.googleapis.com/v0/b/prod-ondamx-art.appspot.com/o/media%2F1630627748533-alicia_ayanegui-penumbra_en_mi_memoria-siembra-kurimanzutto-mexico_city-2021_4.jpg?alt=media&token=110efd6f-c04c-47f8-aa09-a2cc537e9c26)
Interview
September 2 2021
Penumbra en mi memoria [Shadows in My Memory]: Alicia Ayanegui at Siembra
by Antonia Alarcón
Review
August 26 2021
Reconfiguring the Weapon
by Natalia Degetau
Review
August 19 2021
Primaria trunca: Jonathan Miralda Fuksman at guadalajara90210
by Eric Valencia
Review
August 7 2021
A Faun at Morán Morán: On the Exhibition Mapplethorpe: Escultura
by Mariel Vela
Interview
July 31 2021
Taking Your Eye Out and Putting It Back In, Listening: Interview with Angélica Piedrahita
by Sandra Sánchez
Review
July 26 2021
From the Embrace of the Night: La luz proviene de ahí at Campeche.
by Cristina Torres
Essay
July 15 2021
Embodied Technology. On Hybrida by Amor Muñoz
by Bárbara Foulkes
Interview
July 10 2021
Learning New Imaginations: An Interview with Christian Camacho.
by Bruno Enciso
Essay
July 3 2021
Masculinity is a Rosy Serenade: “Pos’ se acabó este cantar” by Ana Segovia
by Antonia Alarcón
Interview
June 26 2021
The Possibilities of Sickness. Lucía Vidales
by Fernanda Ballesteros
Essay
June 24 2021
The Ghosts of an Image: "Reducción" by Adrián Galindo
by Verana Codina
Review
June 17 2021
“Do No Harm”: Soft Bodies by Paloma Rosenzweig
by Mariel Vela
Review
June 10 2021
Los placeres y las penas de la conciencia, an exhibition by Andrés Gómez Servín
by Eric Valencia
Review
June 2 2021
The Invisible Bullets of a Silent Violence. On Luis Miguel Suro
by Nicolás García Barraza
Interview
May 27 2021
Intuition is a Muscle: Interview with Bárbara Foulkes
by Sofía Ortiz
Review
May 22 2021
The Rhythm of Carrying: Investigations into Space and Body
by Regina Diaz
Review
May 15 2021
Intuit the Water: Isabel Nuño de Buen
by Bruno Enciso
Interview
May 9 2021
Salón Cosa vs. the archaic division between design, art, and craft
by Ricardo Quiroga
Interview
May 1 2021
The Dance of Two Suns: Rometti Costales at Museo Jumex
by Antonia Alarcón
Essay
April 22 2021
Close to Dementia and Disaster: Epílogo
by Eric Valencia
Essay
April 15 2021
Mountains at your feet: Ramiro Chaves and Ulrik López in Siembra
by Mariel Vela
Interview
April 8 2021
The Everyday Absurd: Gabriel Rico at OMR
by Fabiola Talavera
Review
April 1 2021
Serpents, Eyes, and What Insists. Ileana Moreno's Kowatl
by Sandra Sánchez
Essay
March 25 2021
Are we awakened by that which melts us—the undefined images, the closed eyes? On Milagros Rojas
by Cristina Torres
Review
March 18 2021
When Opposites Attract: Jardín by Natalia Ramos
by Verana Codina
Article
March 13 2021
LAAA: An Alternative Model For Art Development, Dissemination and Preservation
by Louise Carla Sala
Review
March 6 2021
Among the Shadow’s Mirages, Light Peers Out. Jimena Schlaepfer and Christian Camacho
by Ana Torres Valle Pons
Review
February 27 2021
A Song on the Pequod: On ABLAR HA DEFESIOS, HABLAR ADEFESIOS, DEFESIOS ABLAR HA
by Mariel Vela
Review
February 18 2021
The Presence of the Hidden: On Arqueología futura by Roberto Del Río
by Cristina Torres
Interview
February 11 2021
Mirage in the dark. On "Actos de Ilusión" by Fabiola Torres-Alzaga
by Nicolás García Barraza
Review
February 6 2021
From Books to the Walls and Back: Verónica Gerber Bicecci at Proyectos Monclova
by Sandra Sánchez
Interview
January 28 2021
ABCDESPAC. Interview with Laura Orozco and Alfonso Santiago.
by Eric Valencia
Interview
January 23 2021
The art of welcoming: Interview with Celeste
by Antonia Alarcón
Essay
January 14 2021
Inverted Effect of a Faulty Mirror: "Otrxs Mundxs"
by Verana Codina
Review
January 9 2021
The Work of Art in the Age of Branding: On "Superarme" by Andy Medina
by Stefanía Acevedo
Interview
January 2 2021
You Can’t Be Both Buchona and Minimal at the Same Time: Interview with Lucía Oceguera
by Sofía Ortiz
Review
December 23 2020
Today: An Assembly of Times and Spaces at Nordenhake’s New Venue
by Sandra Sánchez
Article
December 17 2020
El Festival del Silencio: Hawaladar at the Corner of Cozumel and Avenida Sonora
by Alonso Cedillo
Review
December 10 2020
Bailando en la oscuridad: What We Do When Looking Inward?
by Antonia Alarcón
Essay
December 3 2020
A Modest Dressing Room: On Noé Martínez’s El sudor de las plantas
by Bruno Enciso
Interview
November 26 2020
Making the Unicorn Appear: Interview with Zahara Gómez Lucini about Recetario para la memoria
by Sebastián Machado
Essay
November 19 2020
Four Hundred and Fifty Two Tits
by Fernanda Ballesteros
Essay
November 13 2020
The Aura is Back with a Vengeance. About Rafael Lozano-Hemmer
by Cristina Torres
Review
November 6 2020
The Abstract Qualities of Wear: Roberto Turnbull at Le Laboratoire
by Eric Valencia
Review
October 31 2020
Pigments of the Screen: Leo Marz at Pequod Co.
by Sandra Sánchez
Article
October 26 2020
Generational Leap, About Biquini Wax and Salón Silicón in Siembra
by Fabiola Talavera
Interview
October 15 2020
A Conversation with Jerónimo Rüedi
by Gloria Cárdenas
Review
October 8 2020
Who Makes the Idols We Worship? Notes on Historia de arena by Diego Pérez
by Fernando Pichardo
Essay
October 2 2020
Subtle and Remote Plans. About Drawing and Diego Gamaliel
by Carlos Iván Ramírez
Essay
October 1 2020
A Pregnant Thought, or How to Give Birth to a Painting: Jesi Jordan
by Verana Codina
Review
September 26 2020
Learning to Nibble
by Stefanía Acevedo
Interview
September 17 2020
A Kind of Administrative Situationist Dérive: Interview with Carolina Magis
by Sofía Ortiz
Interview
September 10 2020
The Bodies of María Conejo
by Sandra Sánchez
Review
September 4 2020
Has it really stopped? Pausa, the views of confinement
by Ricardo Quiroga
Review
August 28 2020
A Cocktail for Passing Out. On Permanencia Voluntaria at Centro de la Imagen
by Bruno Enciso
Essay
August 23 2020
To Action the Tragedy: Jean-Charles Hue
by Fabiola Talavera
Review
August 13 2020
The folds on the horizon between memory and oblivion: Jorge Rosano Gamboa
by Nicolás García Barraza
Review
August 6 2020
A Long Farewell to Telenovelas: Melodrama at Unión
by María Emilia Fernández
Review
July 30 2020
From the inside looking in: Edgar Orlaineta at Proyectos Monclova
by Eric Valencia
Review
July 24 2020
The Ghost of Identity Produces Clowns | About an Exhibition by Juan Caloca
by Stefanía Acevedo
Essay
July 17 2020
Around Its Center, the Dream Called Ourselves
by Cristina Torres
Essay
July 11 2020
For the Night is Dark and Full of Terrors: Isolation, Delirium, and Exteriority
by Christian Camacho
Interview
July 2 2020
Interview with Rodrigo Echeverría (or Juárez Market)
by Sofía Ortiz
Essay
June 26 2020
How Do We Cur(at)e This Story?
by María Emilia Fernández
Review
June 18 2020
The Wind Keeps Blowing On: La permanencia de las piedras by Federico Pérez Villoro
by Bruno Enciso
Article
June 11 2020
From the Intimate to the Social: Local Women Illustrators
by Sandra Sánchez
Interview
June 2 2020
Covid interview to Tania Ximena
by LATANGENTE & ONDA MX
Article
May 29 2020
Entrevista de escultor a escultor: Armando Rosales
by Pablo de Laborde Lascaris
Interview
May 21 2020
Covid interview to Dulce Chacón
by LATANGENTE & ONDA MX
Interview
May 14 2020
The Success of Our Failure: Interview with Cecilia Vicuña
by Fabiola Talavera
Essay
May 8 2020
Sculpting Ways of Finding Ourselves: Lina Bo Bardi
by Ana Torres Valle Pons
Article
May 1 2020
Unicorns on the Loose: Interview with Luis Aduna about the Work of Gilberto Aceves Navarro
by Bruno Enciso
Interview
April 23 2020
The Material Life of the Photograph: Joan Fontcuberta
by Sandra Sánchez
Review
April 16 2020
Listening is Will: Israel Martínez
by Eric Valencia
Review
April 10 2020
On the difference between seeing and looking: Daniela Rossell and Galen Jackson
by María Emilia Fernández
Interview
April 2 2020
Interview with Beatriz Sokol (or Rompeolas)
by Sofía Ortiz
Review
March 26 2020
Cronofagia: Tianguis of Culinary Memories
by Nicolás García Barraza
Review
March 18 2020
Rebellion consists in looking at a rose until the eyes turn to dust | On Pájaro Piedra
by María Cristina Torres Valle Pons
Review
March 11 2020
Territ(or)ies of the Fiction of Class | On Paloma Contreras Lomas' show
by Stefanía Acevedo
Essay
March 5 2020
Grid Brains and the Coefficients of Painting: On the Work of Laura Owens
by Christian Camacho
Review
February 29 2020
Daytime Visit to a Temple | About Yollotl Gómez Alvarado's exhibition
by Bruno Enciso
Review
February 19 2020
Ríe ahora, llora después (“Laugh Now, Cry Later”), by Pia Camil | Autobiography of Reflection
by Fabiola Eunice Camacho
Interview
February 7 2020
A Sea-Filled Mansion: Interview with Allan Villavicencio about the Murals Transcapes
by Fabiola Talavera
Article
February 1 2020
Ana Segovia’s La Faena | A Blood Rose for Him
by Sandra Sánchez
Review
February 1 2020
Salón ACME and Its New Sculpture Courtyard: “As Useless as a Flower is Useless”
by Ricardo Quiroga
Article
February 1 2020
Material 2020: An Art Fair for Looking, Listening, and Reading the Present
by Regina Díaz
Essay
January 24 2020
The Wall
by Isauro Huizar
Interview
January 17 2020
Interview with Sofía Fernández Díaz (or Bucareli Tacos)
by Sofía Ortiz
Review
January 9 2020
Yutaro Aoki, Puerta del cielo at Studio Block M74
by María Cristina Torres Valle Pons
Essay
January 1 2020
James Turrell: Passages of Light at the Museo Jumex
by Regina Díaz
Review
December 19 2019
Body Memory | On Maya Goded, Laia Abril, and Nan Goldin
by Nicolás García Barraza
Review
December 12 2019
The Anarchism of Eunice Adorno: Retracing History in Order to Intervene in Memory
by Stefanía Acevedo
Essay
December 5 2019
Something Breathes, Gasps: A Sighting of Akira Toxqui
by Bruno Enciso
Review
November 29 2019
Loved Ones | About Danh Vo
by Alan Sierra
Essay
November 20 2019
The Winding Path | On the Work of ASMA
by Christian Camacho
Essay
November 17 2019
The expanse between past and present | About Emissaries for Things Abandoned by Gods
by Fabiola Talavera
Review
November 8 2019
Malas Madres : Consequently, An Enigma | Chelsea Culprit
by Sandra Sánchez
Review
October 31 2019
To open the wounds of Latin America | Adriana Varejão. Otros cuerpos detrás (“Other bodies behind”)
by Ricardo Quiroga
Review
October 23 2019
Memories of Two Exhibitions | Yolanda Ceballos and Gwladys Alonzo
by Othiana Roffiel
Essay
October 17 2019
A fly is a fly is a fly | Who writes?
by Vivian Abenshushan
Review
October 9 2019
Almost a Sign | About Roseta by Andrés Felipe Castaño
by Bruno Enciso
Review
October 4 2019
About 'Who’s Afraid of Red, Yellow and Blue ?'
by María Cristina Torres Valle Pons
Review
October 4 2019
About Mastica y Traga by Madeline Jiménez
by Stefanía Acevedo
Review
September 23 2019
A garden located inside a white cube | Spencer Finch, Botanica
by Nicolás García Barraza
Review
September 20 2019
Material exercises | Aire by Manuela García
by Alan Sierra
Interview
September 11 2019
Three Fires Erupted in Oneself | Enrique Rosas, Uno
by Ricardo Quiroga
Review
August 25 2019
About Night during the day by Lucía Vidales
by Alan Sierra
Essay
August 24 2019
El vector escorpión | On the work of Luis Campos
by Christian Camacho
Interview
August 24 2019
Néstor Jiménez's studio visit
by Bruno Enciso
Review
August 16 2019
Un pan no es una selva peligrosa, pero se asemeja a un jardín | Presencia Lúcida
by Sandra Sánchez
Essay
August 14 2019
About Double Skin by Yto Barrada
by María Cristina Torres Valle Pons
Review
August 1 2019
Memoria y cambio | Territorios de la Memoria 1985-2019
by Luciana Sánchez Fernández
Review
July 25 2019
Holding, grafting, ingesting, keeping the jewel alive | Fritzia Irízar, Mazatlanica
by Ricardo Quiroga