Miguel Fernández de Castro

La espera by Miguel Fernández de Castro (Sonora, 1986) unfolds in a suspended time, where bodies and forms remain exposed to the elements, to erosion, and to surveillance. At the intersection of human and animal temporalities, minimal scenes emerge—walks, encounters, discoveries—that organize his experience in the Altar Desert. Drawing from personal and speculative stories, the work is inscribed in a discontinuous, almost theatrical temporality that becomes visible when something interrupts it.

— Travesía Cuatro