Narciso del Valle House

JO-HS presents Casa Narciso del Valle and the talks between the architect Andres Souto, researcher Pablo Martinez Zarate and Rodrigo Echeverria. To attend please send an email to sophie@jo-hs.com.

The first observation I can make about this cozy house is the reflection of a unique, distinctive, and challenging fusion of two visions, passions, and individuals. Although art and architecture have always been intertwined in one way or another, I feel that nowadays it is difficult to find projects that address this simple notion in a literal and understandable manner, as the Narciso del Valle house does. It reminds me of Charles Jenck; description of the double code of postmodern architecture.

On the one hand, it manages to speak to the more demanding and knowledgeable audience through the studied and careful use of the architectural elements that compose a building (a house in this case). On the other hand, it creates a deep connection with the user o spectator; through art and ornamentation. The complex distribution and spatial solution - given that the project is a renovation - complemented by elements such as a portrait of the workers involved in the construction that hangs in the entrance of the house are evidence of a project that consciously or unconsciously, in my opinion, achieves this double code and does so, above all, in a seemingly natural and intuitive manner, at least in appearance.

However, the numerous essays and studies of the paintings and frescoes we see in the house, as well as the logs filled with ideas, plans, scribbles, references, and proposals, reveal something hidden beneath the projects lightness. This is the effort, dedication, time, and affection that the couple has invested in this endeavor - clear and beautiful evidence of the passion that Rodrigo and Marion have for their craft.

Casa Narciso del Valle has become a personal reference in architecture for me. Walking through the main door into a beautiful courtyard, being greeted and guided by little lamp creatures makes me feel like I’m in a special place. The details and gestures that unfold along the journey only accentuate this sensation. The use of tiles takes on significant importance when placed on the ceiling of the vestibule - like a water mirror defying gravity - to reflect the delightful colors of the workers’ portrait that welcomes us and provides a moment to rest and reflect before stepping in. Inside, I am struck by the use of white, lightweight, segmented curtains that allow for elegant and versatile control of light. The journey culminates with what Rodrigo calls “our homage to Barragan” a small courtyard enclosed by four high walls that guide our gaze, attention, and time towards the clouds. The masterpiece that is the staircase and the fresco around it overwhelms me. It reminds me, almost as a gentle but serious admonition, that the most important thing in the creative craft - and in life in general - is that it’s okay to play while facing reality’s obstacles.

— Architect Andres Souto