Essay
by Julián Madero Islas
Reading time
1 min
This text serves as an excitation to Innumerable Fires, Yeni Mao's second solo exhibition at Campeche Gallery. Its form is intended to mirror the device that frames, contains, and supports the work: a wooden framework that defines a space slightly smaller than the gallery itself, with the pieces mounted on its beams, leaving a corridor of about twenty inches on each side. In this setting, quotations become objects within the space.
1: Vinciane Despret, Habitar como un pájaro.
2: Alfredo López Austin, The Myths of the Opossum.
3: Susan Sontag, "Fascinating Fascism".
4: Gilles Deleuze y Félix Guattari, A Thousand Plateaus.
5: Federico Navarrete, Malintzin, o la conquista como traducción.
6: Curatorial text, Laura Orozco, Yeni Mao, Innumerable Fires.
7: Octavio Paz, Marcel Duchamp: Appearance Stripped Bare.
8: Frantz Fanon, The Wretched of the Earth.
9: Gilles Deleuze y Félix Guattari, Mil mesetas.
10: Catalina Velázquez Morales “Los inmigrantes chinos en Baja California 1920-1937”.
* All tranlations, except thos marked with an asterisk, are from official sources; the rest have been translated in-house by Luis Sokol.
Published on September 7 2024