Stefanía Acevedo
Artículos
Review
Feb 17 2026
Controlled Aggression: On "Good Boy" by Eyibra
by Stefanía Acevedo
Review
May 4 2025
The Sacred in Times of Extermination: On “Pray” by Korakrit Arunanondchai and Alex Gvojic at the Laboratorio Arte Alameda
by Stefanía Acevedo
Review
Mar 6 2025
Playing with Mud in Ladi Beñe by Ana Hernández at Campeche
by Stefanía Acevedo
Essay
Aug 24 2023
The Rules of the Game: Francis Alÿs at the MUAC
by Stefanía Acevedo
Review
Mar 12 2023
Registrations on the Body and Disturbances of the Soul
by Stefanía Acevedo
Essay
Jul 31 2022
Trauma, Play, and Discretion: On 'Rehabitar el silencio'
by Stefanía Acevedo
Review
Jun 30 2022
Post-Luddite Artifacts. On 'Cándida' by María José Karaman
by Stefanía Acevedo
Review
Nov 20 2021
(C)olors of Decay and Hints of Life: Maisie Cousins
by Stefanía Acevedo
Review
Jan 9 2021
The Work of Art in the Age of Branding: On "Superarme" by Andy Medina
by Stefanía Acevedo
Review
Sep 26 2020
Learning to Nibble
by Stefanía Acevedo
Review
Jul 24 2020
The Ghost of Identity Produces Clowns | About an Exhibition by Juan Caloca
by Stefanía Acevedo
Review
Mar 11 2020
Territ(or)ies of the Fiction of Class | On Paloma Contreras Lomas' show
by Stefanía Acevedo
Review
Dec 12 2019
The Anarchism of Eunice Adorno: Retracing History in Order to Intervene in Memory
by Stefanía Acevedo
Review
Oct 4 2019
About Mastica y Traga by Madeline Jiménez
by Stefanía Acevedo