M.S. Yániz
Artículos

Review
Jan 4 2026
The Persistence of Fascism: On "Estética del dominio" at the Museo Anahuacalli
by M.S. Yániz

Review
Sep 14 2025
Entropy and Friendship: Luis Muñoz’s Curatorship in ‘Fruit of the Doom’
by M.S. Yániz
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Review
Jul 21 2025
Your Luxury Refuge, Your Colonial Experience. Mallorca and Acapulco at the CENART
by M.S. Yániz

Review
Mar 13 2025
Dust of Late Capitalism and Final Judgment Jewelry: Cristóbal Gracia at Pequod Co.
by M.S. Yániz

Interview
Jan 17 2025
I didn’t know air had references: A dialogue with Ana Sofía Esteva
by M.S. Yániz

Review
Nov 7 2024
Do Bootleg Commodities Dream of Contemporary Art? On the ‘Recurseo’ of Jimena Chávez Delion
by M.S. Yániz

Review
Dec 17 2023
Voices of the ghost inhabiting the landscape: Paloma Contreras Lomas at Pequod Co.
by M.S. Yániz

Review
Aug 12 2023
Oswaldo Ruiz's Valences: Speculative Healing and Critique of Extractivism
by M.S. Yániz

Review
Mar 3 2023
Form and (Ab)use of the Sea: Octavio Gómez Rivero at Unión
by M.S. Yániz

Review
Nov 23 2022
Healing with Matter and Signs: María Sosa at Llano
by M.S. Yániz

Review
Oct 5 2022
Geoaesthetic Timelessness: Desert and Design in Miriam Salado’s Bestial
by M.S. Yániz

Review
Aug 5 2022
Between The Ghost and Vibrating Matter: On 'The Zone, Chernobyl' by Raúl Ortega Ayala
by M.S. Yániz